The “Get Back” series dispels and confirms the Beatles myth

New York – For 50 years, the fixed story was the Beatles’ “Let It Be” recording session as a miserable experience with a band in the process of members getting tired of each other, tired of work, and breaking up. ..

The nearly eight-hour documentary produced by Peter Jackson is excerpted from the film, and by recording outtakes of those sessions, instead, a self with rare connections and work ethics who still knows how to enjoy. Reveals the recognition band. Up.

The “Get Back” series will be rolled out in three days starting Thanksgiving at Disney +.

Produced by Beatlemania for Beatlemania’s companions, this song can be an exhausting experience for those who aren’t in the club. But the club is pretty big. “Get Back” goes beyond the treats offered to fans and smashes the creative process of a band that is still popular, half a century after it’s gone.

Jackson, the maker of the Academy Award-winning “Road of the Rings” series, was separated from The Beatles when asked what happened to all the outtakes of Michael Lindsay-Hogg’s 1970 “Let It Be” movie. We were discussing the project.


There were nearly 60 hours of film shot over three weeks, mostly invisible, and the band was thinking about what to do with it. Jackson took the material and 150 hours of audio recordings and spent four years building the story.

He approached for fear that it might be a depressing slog.

Lindsey Hogg’s film was released shortly after the dissolution was announced, so it’s seen as a record of the band’s demise — unfairly in Jackson’s view. The individual Beatles strengthened the concept with negative comments about the experience that the camera would follow, giving them a tight deadline for writing and recording new material in preparation for the live show.

“I was just waiting for it to get worse,” Jackson said. “I waited for the discussion to start. I waited for the conflict to begin. I waited for the feeling that they hated each other. I waited for everything I read in the book. , And it never appeared. “


Oh, there is a conflict. History is a fun moment revealed in outtakes, with John Lennon singing “Two of Us” as Bob Dylan’s impersonation and challenging a run-through with Paul McCartney without moving his lips. Is covering up. Jackson regains balance.

“The connection was great,” drummer Ringo Starr recalled in a recent Zoom interview. “I’m an only child (but) I had three brothers. And we took care of each other. We took care of each other. We took care of each other. Had a line — that’s what people do. But musically, every time we count 1, 2, 3, 4, we’re crazy about being the best we can. became.”

Jackson follows daily sessions, from the start with a cave-like movie set that was finally abandoned for the familiar London recording studio, to the short rooftop performance that The Beatles last performed in public. I am.

Filmmakers are sensitive to the idea that they were brought in to “sanitize” the session, and “Get Back” points out that George Harrison depicts George Harrison temporarily leaving the band. ..


After the morning of seeing Harrison simmer quietly, showing Lennon and McCartney their close creative connection working on the “To of Ass” as if no one else was there. , That moment unfolded. When the lunch break came, Harrison was thinking about something more permanent.

“I’m leaving the band now,” he says, almost naturally, before he leaves.

A few days later, and after a few band meetings, Harrison was persuaded to come back. The morning he does so, the film shows that he and Lennon read a false newspaper report that they were hit and faced each other in a boxing stance to mock it.

In the process, Jackson’s project dispels and reinforces fragments of traditional knowledge that have been solidified over the years.

Myth 1: McCartney was a control freak.

Verdict: Partially correct. The film shows Harrison visibly rubbing at McCartney, instructing him and other band members how to play, and seducing them into a live concert decision. Since the death of manager Brian Epstein in 1967, the band has been somewhat purposeless. McCartney wasn’t completely happy because he had taken on the role of “daddy.”


“I’m afraid to be my boss, and I’ve been around for a few years,” he says. “I don’t get any support.”

Myth # 2: Yoko Ono disbands the Beatles.

Verdict: Not true. She participates in virtually every recording session, mostly as a benign force sitting next to Lennon. All other Beatles spouses appear in the studio, but less often. At some point, McCartney even makes a visionary joke about her.

“It will be incredibly comical in 50 years. It broke up because Yoko was sitting on the amp,” he says.

In the afternoon after Harrison left, the rest of the Beatles get rid of their frustration with apparently aggressive and atonal music, and Ono takes over his mic — a fascinating moment.

Myth # 3: The Beatles have become essentially four solo artists, and the other artists have become sidemen to each other’s songs.

Verdict: Not true. They are always working together, seeking advice and taking. At one point, Harrison confesses to Lennon that he’s struggling to complete the “something” line that “fascinates me like any other lover.” Lennon suggests using the nonsense phrase “attract me like cauliflower” until something better appears.


Throughout the film, viewers called the song “Get Back” when McCartney created a riff and he and Lennon exchanged lyrical selections and threw ideas for making it a song that criticized anti-immigrant sentiment. You can see how it appeared. The full band is arranging. It’s Harrison who is happy with the end result and proposes to release it as a single soon.

Bob Spitz, author of The Beatles: The Biography, published in 2005, said:

Myth # 4: Shooting showed the Beatles break up.

Verdict: Essentially correct. It became clear that Lennon and Harrison’s enthusiasm for the Beatles had diminished. Lennon is clearly in love with Ono. McCartney tells Harrison and Star that if it all comes down to the choice between her and the Beatles, Lennon will go with her.


Harrison, who is growing creatively, is uncomfortable with his secondary role. He talks to Lennon about making a solo album as he has written enough songs to fill the “quarter” of the Beatles album for another 10 years. As if to prove his claim, The Beatles rehearse Harrison’s majestic “All Things Must Pass” but refuse to record it.

In the film, Lennon and Star also discuss a meeting with Rolling Stones manager Allen Klein about taking over the Beatles’ business, foreseeing a fierce division with McCartney.

“Everything is full of mini-story,” Jackson said.

Expected to produce a traditional documentary, Jackson said he was nervous about bringing a much longer final product back to McCartney, Star, and the Lennon and Harrison families.

“But they came back and said,’Wonderful, don’t change things,'” he said.

Among the precious moments he unearthed is the joy of the Beatles’ face playing on the roof of the studio. The movie shows the whole performance, and the Beatles have had a great time facing the challenge.


When the police finally finish it, the band and aides return to the studio to hear a recording of what they did.

“This is a very good dry run for something else,” says producer George Martin.

Unfortunately, that wasn’t the case.

Copyright 2021 AP communication. all rights reserved. This material may not be published, broadcast, rewritten, or redistributed without permission.

The “Get Back” series dispels and confirms the Beatles myth

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