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Rio Uribe talks about Los Angeles aesthetics and sustainability lessons

(Nori Rasmussen-Martinez / For The Times)

This story is part of Image issue 7 “Survival,” the collective vision of our dream LA. See the complete package here.

Dear LA,

I remember the first time I spoke Spanish to a Korean.

I am the oldest of my brothers and I am the only one who speaks fluent Spanish. The rest of the brothers No sabot The kids. As a kid, I had just returned from the summer of Mexico in Koreatown and was trying to change my Spanish. I went to the store to buy something, and I pretended I didn’t speak English.The man started talking to me at Perfect Spanish,”Bueno, Dimero, quéeslo que quieres? Quénecesitas?? Just like perfect Spanish. When I think of Koreatown, that memory always comes back.

Image Magazine No. 07 Uriberio.

(Nori Rasmussen-Martinez / For The Times)

It was exactly the crossing of LA, a multicultural crucible. I always strive to present it in every show, campaign, and every job. This tells people that we are not just one type of person, one race, or one body shape. And when it comes to sustainability, you’re definitely far more distant than any other city I’ve been to in the United States.

I have your thread carried over in my work, especially in my latest collections and shows. I use a lot of lowrider T-shirts and graphics that I’ve grown up to use for different types of clothing. I wanted to focus on something for my community, and new types of Chicagosmo and Latinidad.

In 2018, we happened to go to see the Lowrider exhibit at the Petersen Automotive Museum. I fell in love with one of the cars called Gypsy Rose. It was in the car museum, but I thought it was art. I soon began to think that the next collection would be inspired by Lowrider.

I couldn’t tell you all about your background, present and future in one show. This was only part of my focus on moving forward, as I’m still really interested in sustainability, diversity and inclusiveness. But you, my hometown, really helped me focus on what I wanted to say.

The big thing for me and my family who grew up here was a drop. I’ll bring my older cousin’s clothes and shoes. As I was involved in fashion and understood the impact of production, I realized that the drop was a very sustainable way of life and was often overlooked, as opposed to being proactive about the environment. But it extends the life of the garment.

Image Magazine No. 07 Uriberio.

(Nori Rasmussen-Martinez / For The Times)

There are many ways to practice sustainability in gypsy sports. We started sourcing locally, reduced packages in our online store, saved all scrap and minimized business trips. But in the big picture, I’m definitely a good person, picking up trash on the streets and helping those who see you struggling, that is, helping the people around you a little more, keeps I feel it’s a very big way to do it. You are sustainable.

You in the city have made you think about sustainability in every way. I remember getting a lot of Looney Tunes oversized T-shirts in LA in the early 90’s. Whenever I talked about throwback T-shirts, it was always one, but I had to belt my buggy pants. Mainly sporty. Swap meet combination with department store.

Image Magazine No. 07 Uriberio.

(Nori Rasmussen-Martinez / For The Times)

I think your fashion is definitely sleeping. From the early 2000s to the present, you have become a highly respected hub for streetwear and vintage. And I think both of them are an integral part of gypsy sports. High-end streetwear mixed with vintage.

They all come from sustainability.And real DIY is definitely something you You can insist and be proud. I think the reason the industry doesn’t respect that much is that it’s not capitalist. But we—your people—are happy that we are not super-robot-like and overworked consumers.

LA, I miss you. And I’m glad to be back with you again.

XO XO,
Rio

Rio Uribe is the creative director of Gypsy Sports.

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Rio Uribe talks about Los Angeles aesthetics and sustainability lessons

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