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perfectionist. genius. icon.It was Stephen Sondheim | Entertainment

Mark Kennedy AP Entertainment Writer

New York (AP) β€” In 2010, the year he turned 80, Stephen Sondheim had to endure the fuss when the Broadway Theater was renamed in honor of him.

At a ceremony outside the 1,055-seat auditorium on West 43rd Street, the composer was like a sheep by the time he reached the podium, following words from fans such as Patti LuPone and Nathan Lane. I saw. He also provided a window to his spirit.

“I’m excited, but very embarrassed,” he said, tearing when the mid-September sun fell on the Stephen Sondheim Theater. “I always hated my name. I just don’t sing.”

The comments revealed how Sondheim’s great musicality and his perfectionism were closely related. The theater giant, who died on Friday at the age of 91, was as complex as his lyrics, his rules were dogmatic, and he wasn’t generous in praising his work.

An avid and obsessive purist and magician, the lyrics and music of towering shows such as “A Little Night Music,” “Into the Woods,” “Company,” “Follies,” and “Sunday in the Park with George.” is created. “

But he was also his worst critic. For example, consider his feelings about the iconic song “America” ​​in “West Side Story,” which provided the lyrics to Leonard Bernstein’s music.

“Some lines in this lyrics are pretty sharp and crisp, but some, like peanut butter, melt in your mouth gracefully and are incomprehensible. For example,” for a small fee in America, “l and f. Shattered together, it sounds like “for peanuts,” he wrote in an autobiographical self-criticism, which took two volumes.

perfectionist. genius. icon.It was Stephen Sondheim | Entertainment

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