Inside, there was plenty of room for the masked editor, who was scrutinized by the Health Pass, sitting at a social distance. Another show was performed in Shanghai at the same time, and an image of the darkened skyline was broadcast in the Milan showroom.
The designer shows that the third collection of the Prada Simmons era is a deconstruction of traditional evening wear (trains, corsets, evening dresses) as a study to reveal sensuality and the appearance of women. It is stated in the note.
Simmons lamented the “unreality” of evening dresses as “but beautiful.” It’s true that many gowns spent their pandemics hanging in the closet without notice.
“These clothes can be complicated: evening dresses, historic outfits. We want to make them look simple, easy and modern,” says Simons.
Couture silk miniskirts dragged long sashes and sometimes remained floating. More formally, the skirt had a full black tie tail. They were worn with a sweater, a distressed leather bomber jacket, and a sleeveless blouse with a black and white print laced for a punk feel.
The dress was fastened at the waist and left open behind to suggest the Prada V logo, and the skirt had a deep inverted V slit. The bare biceps leather strap gives it a nice look.
The knitwear is soft, with breastplate and corset details and is finished with the same leather biceps strap.The mini knit tunic was worn over matching shorts with a tight waist
Milan Fashion Week: Prada Deconstructs Luxury Evening Wear | Entertainment
Source link Milan Fashion Week: Prada Deconstructs Luxury Evening Wear | Entertainment