New York (AP) — “We bend. We don’t break. We shake!” Sing the chorus in the second act of Terence Blanchard’s “Fire Shut Up in My Bones”.
It’s a groundbreaking performance on Monday night, the first staging piece at home since March 2020, and the first in the long history of the company it launched, among the approximately 4,000 audience of the Metropolitan Opera. I felt it when I saw it by a black composer. In 1883.
People imagine that many women wear evening dresses and jewels, most men wear black ties, and a few men wear white ties, tails, and top hats. After their absence, they greeted each other to celebrate their return to the Lincoln Center. ..
After a 566-day historic gap, the country’s largest performing arts organization resumed a gradual presentation at the beginning of the season, scheduled to run until June 11. The return attracted a much more diverse audience than attending a regular Met, with video screens from Times Square and Harlem’s Marcus Garvey Park.
Even before the “Star-Spangled Banner” was sung in shimmering treble, the orchestra initially had a slight applause. And after more than three hours, the cast, composer, scriptwriter Kasi Lemmons, the production team, and finally the 2014 memoirs are opera.
I met back with the first work by a black composer in its history | National News
Source link I met back with the first work by a black composer in its history | National News